Bharadwaj, Gargi
(2017)
Theatrical explorations of contemporaneity.
Projects / Processes, 5, Research and Writing from SAF 2017, 5 (1).
pp. 8-34.
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Abstract
This essay is a reflection on three theatre productions staged at Serendipity Arts Festival, Goa, 2017: Quality Street, performed and directed by Maya Krishna Rao, Faezeh Jalali’s Shikhandi: The story of the In-Betweens, and Harold Pinter’s Dumb Wait-err, directed by Tushar Pandey. The essay segues from one performance to the next, paying attention to what each work makes intelligible and sensible and how that affects the spectator, calling upon her to think and act in particular ways.
| Item Type: | Article |
|---|---|
| Keywords: | Serendipity Arts Festival | Theatre Review | Drama | Performing Arts |
| Subjects: | Social Sciences and humanities > Arts and Humanities > Literature and Literary Theory Social Sciences and humanities > Social Sciences > Social Sciences (General) |
| JGU School/Centre: | Jindal School of Liberal Arts & Humanities |
| Depositing User: | Subhajit Bhattacharjee |
| Date Deposited: | 21 Apr 2022 09:22 |
| Last Modified: | 21 Apr 2022 09:22 |
| Official URL: | https://serendipityarts.org/writing-initiative/pro... |
| URI: | https://pure.jgu.edu.in/id/eprint/2547 |
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